PARZINGER’S MISCONCEPTIONS AND MISREPRESENTATIONS ABOUT RESTITUTION OF AFRICAN ARTEFACTS

 

“The restitution of those cultural objects which our museums and collections, directly or indirectly, possess thanks to the colonial system and are now being demanded, must also not be postponed with cheap arguments and tricks.”

Gert v. Paczensky and Herbert Ganslmayr, Nofretete will nach Hause. (1)

 

We pointed out in our last article some of the strange ideas of the President of the Prussian Cultural Heritage Foundation, the body that controls the Humboldt Forum where African artefacts, formerly in the Ethnologisches Museum, Berlin, will be transferred. We assumed then that our clear exposition had shown the weakness of some of the reasoning behind his statements and ideas. (2) To our dismay, some of those ideas, coupled with new ones, have been repeated in recent statements.   We plead the indulgence of the reader to bear with us while we look at some of these ideas, with Goethe on our side on the need to repeat the truth.

In an interview dated February 2018, Dr. Herrmann Parzinger, repeating an idea of Neil Macgregor, former director of the British Museum and now a founding director of the Humboldt Forum, declares that we need new stories: There must be new stories. (Es muss neue Erzählungen geben) (3) Like Macgregor, Parzinger is uncomfortable with the history of the looted African artefacts in Western museums and would like to tell a different history but knows the history of violent attacks and robbery by Europeans in Africa and Asia are too well established. He would like to tell stories with the African objects when they are moved to the new location. Note the choice of words- ‘stories’ and not ‘histories’.  What never seems to occur to Western museum experts who want to tell the stories of others, especially Africans, is that Africans may want to tell their own histories with the objects now withheld from them. This appears inconceivable to many Westerners. Perhaps they think we have some irreparable congenital deficiencies that prevent us from telling our own histories.

The desire to tell stories rather than  histories of artefacts has become widespread with Western ethnologists who invite-specialists and even non-specialists to tell their own stories with the looted objects. (4) With such practices, true histories are submerged, with the ethnologists gladly proclaiming that they have no monopoly of interpretation of the objects. Each visitor makes his own interpretation even if he has not studied ethnology; your interpretation is as good as mine even although I spent three years doing a degree in ethnology, and 4 years in obtaining a doctorate.  With this attitude, some exhibitions, pretending ignorance of the histories of the looted objects, refuse even to give you the barest information about the objects exhibited e.g. Unvergleichlich-Kunst aus Africa in Bode- Museum. This attitude matches perfectly the cry for more provenance research, as if nothing were known already about the objects displayed. (5)

 In response to a question about Macron’s suggestion to return African artefacts in French museums, Parzinger that it is an interesting suggestion but asks: ‘‘Only the question is which museum will return which object and for which reason and to which African museum? Who takes such a decision, the museums, or the political authorities?’’ Parzinger states that such questions must be decided by an international conference. The raising of such questions is part of the new credo of German authorities to plead ignorance about the African artefacts that have been lying in their museum for more than hundred years. We shall answer these questions in an annexe. (6)

Twice in this short interview, Parzinger challenges the general opinion that a large number of the artefacts in the ethnological museums are looted/ stolen:

‘One should not always act as if all objects were stolen’.

Speaking with reference to the Benin bronzes, Parzinger again declares: ‘But to say they are all stolen objects so send them back is too simple, especially since many pieces were acquired from the market before the British punitive expedition’ (7)

We do not know on what evidence the eminent archaeologist bases his view that many Benin bronzes were acquired on the open market before the British Punitive Expedition went to Benin City in 1897, deposed the king, killed many persons including Benin nobles and looted 3500 artefacts that were later sold at auctions in London.

All the specialists we have read, and this is the general opinion among Benin

scholars, state that before 1897 there were hardly any Benin artefacts in Europe

and that it was after the notorious invasion that these objects were available on

the European market.  This was also the opinion of Felix von Luschan who was

instrumental in the Ethnologisches Museum, Berlin, acquiring some 580 Benin

artefacts. (8)

 

To our utter surprise, Parzinger again declares that there has been no

demand for the Benin bronzes by the Nigerians. He then refers to the idea

lunched by the so-called Benin Dialogue Group to have a permanent

exhibition in Benin City whilst ownership in the looted artefacts remains

with European museums.

 

Many readers will immediately realize that there is no truth in the idea that the

Nigerians have not asked for the restitution of the Benin objects. Just a few

weeks ago, the Nigerian National Commission on Museums and Monuments

demanded that Nigeria’s artefacts in Western museums be unconditionally

returned. (9) We have answered this allegation in detail in several articles. (10)

Wherever possible, we shall no longer entertain or discuss questions

that aim at returning the discussions on looted African artefacts to the pre-

Ouagadougou period and thereby seek to ignore or lessen the impact of

the historical speech by President Emanuel Macron on the need to return

African artefacts to Africa.

 

Parzinger refers to Macron’s speech but obviously with little conviction about

its necessity or usefulness. He acknowledges that other European countries such

as Belgium, Britain and Germany cannot ignore the suggestions of the French

president but apparently, he is not recommending the Ouagadougou Declaration.

He stays in the period before 28 November 2018.

 

Parzinger refers to the insulting the idea launched by the so-called Benin

Dialogue Group to have a permanent exhibition in Benin City of the looted

artefacts whilst ownership remains with European museums. (11) We have

already condemned without reservation a project that is an insult to the Benin

people, the peoples of Nigerian and the African peoples. It could have been

conceived only on the arrogant assumption that the Oba of Benin and the Benin

people do not deserve to have back the Benin artefacts that were stolen by the

British in 1897 in the notorious punitive expedition.  The looters are here

rewarded again after more than 120 years since the violent attack by foreign

forces coming from afar. Those who lost their lives and property in that

imperialist invasion, are once again being treated with utter disrespect and

contempt. We pray they and their ancestral gods do not hear

about this last demeaning injury. Those Nigerians and Africans involved in this

scheme must explain to the Oba of Benin and his people why, they accept such a

scheme. The National Commission on Museums and Monuments (NCMM)

surely has a duty to explain to the Nigerian peoples its position here. Its recent

demand for unconditional return of Nigerian artefacts contradicts such a

project.  In our humble opinion, if that scheme is implemented, it will be

sowing the seeds of easily imaginable future conflicts in Benin, between the Oba and his people, between Nigeria and the Oba, between the Western ‘owners’ of the looted Benin artefacts and Nigeria. The exhibition of looted artefacts could

crystalize frustrations and disappointments of many groups in Benin City and in

Nigeria generally.

 

We were very surprised that Parzinger kept referring to the Holocaust

Restitution scheme. We hope when we draw parallels or contradictions between

the German handling of compensation for the victims of the evil and atrocious

Nazi-regime and the lack of response to African demands for colonial

reparations, he will not be surprised. Indeed, Parzinger uses the word

‘genocide’- Der Maji-Maji-Krieg ist hier kaum bekannt, hat aber eine ähnliche Dimension wie der Genozid an den Herero und Nama.

Is this a clear acceptance that official Germany committed genocide against the

Herero and Nama?

 

On three occasions Dr. Parzinger draws parallel to the Holocaust scheme:

Similarly, as in the case of Nazi-looted art, it must be reconstructed from the

beginning.

Similarly, as in Nazi looted art, we want not only to react to restitution demands

but proactively research and thus strengthen international cooperation.

Provenance research is complicated and takes time. There is no reason for me to avoid this and we do not do that in the case of Nazi looted art’. (12)

 

Parzinger wants international rules for settling looted artefacts questions and

refers to the Holocaust restitution scheme. We have in a previous article

suggested that there was no need for any international conference or any new

rules. The United Nations General Assembly/UNESCO passed resolutions

that urge the return of these artefacts to their countries of origin. This should

provide enough guidance. In any case, we suggested that the performance of

States in the Holocaust restitution cases was so not so great that that one could

recommend it since, following its current speed, it could take decades before we

see any return of African artefacts.

 

A recent speech by Ronald S. Lauder, President of the World Jewish Congress,

with the significant heading- ‘Each looted art work throws a shadow over

Germany’. (‘Jedes geraubte Kunstwerk wirft einen Schatten auf Deutschland)

fully confirms this opinion. The speech ends with the appeal- ‘Do the right thing!  Do the right thing’. (‚Tun Sie das Richtige!

Tun Sie das Richtige. ’) (13)  Lauder points out that twenty years after the

signing of the Washington Conference Principles on Nazi-Confiscated Art under

which some 44 States were to identify and restore to the owners who had been

unlawfully dispossessed of their artworks by the racist Nazi regime, not much

progress had been achieved (14) and 73 years since the end of the last World

War, one must still discuss this issue.  In view of the rather unfavourable

criticism by Lauder, one wonders why Parzinger refers to this scheme. Is it the

slow pace of implementation of the agreed principles that he favours? Were such

a system to be applied to restitution of looted African artefacts it might well take

several decades to see any concrete results.

 

On reflection, it is amazing that with all their resources, Western States and

their museums have not been able to resolve the issue of restitution of looted

African artefacts. This is, we believe, at least partly, due to the absolute lack of

respect for Africans, based on the racism Europeans have instigated during the

centuries of slavery and colonialism. In addition, there is the sheer greed and

selfishness that has become the hallmarks of Western States and their museums.

 How come that a museum such as the Ethnological Museum, Berlin, that

holds some 508-580 looted Benin artefacts is unable to return, e.g.100 of those

objects to the Oba of Benin? Benin artefacts are not part of German culture.

 

A clear demonstration of this greed that has become the creed of Western States

and their museums was shown during the exhibition- Benin Kings and Rituals

Court Arts from Nigeria ,2006, in Vienna. During an international symposium

organized in connection with the exhibition, the representative of the Benin

Royal Family stated that if each of all the museums holding Benin artefacts

returned one artefact each, the Royal Family would be satisfied. (15)  What was

the reaction of the Western museums?  To my surprise, the then Director of the

Völkerkundemuseum, Vienna, Christian Feest, immediately responded, without

hesitation, that it was impossible to envisage such a return and advanced the

usual weak argument for holding the artefacts of others. The remaining Western

museum representatives kept quiet. The present writer responded and refuted the

usual Western defences. An excellent opportunity was thus lost by the Western

museums to solve the issue of looted Benin artefacts in Western museums. So

much has contempt for Africans become part of the Western mind

that many of those present did not immediately realize the full implications of

the quick answer by Feest. Musée du Quai Branly, Paris,

Völkerkundmuseum, now World Museum, Vienna, Ethnologisches

Museum, Berlin and others could have started a process of resolving the

questions which are still with us after 12 years.

 

Austria, Belgium, Britain, Germany, Switzerland and other European States

holding looted African artefacts are surely better served by following the path

indicated by the French president Macron than by following Parzinger’s ideas

about elaborating new international rules that may throw the whole issue into

disarray, raise more questions and not solve any of the present problems.

 

                                              

Looted without rules, African artefacts can be returned without rules.

 

 

                                                                                                Kwame Tua Opoku.

 

 

 

Notes

 

1. “Die Rückgabe jener Kulturschätze, die unsere Museen und Sammlungen direkt oder indirekt dem Kolonialsystemverdanken und die jetzt zurückverlangt werden, sollte ebenfalls nicht mit billigen Argumenten und Tricks hinausgezögert werden“.

Gert v. Paczensky and Herbert Ganslmayr, Nofretete will nach Hause, p.185, C. Bertelsmann, München, 1984.

2. K. Opoku, ‘Parzinger's Cri De Coeur: Genuine Plea for UN/UNESCO Assistance or  Calculation to Delay Restitution of Artefacts?...

https://www.modernghana.com/.../parzingers-cri-de-coeur-genui..

 

3. Hermann Parzinger:‘Es muss neue Erzählungen geben

http://www.tagesspiegel.de/kultur/humboldt-forum-und-kolonialismus-es-muss-neue-erzaehlungen-geben/20950392.html

 

4. K. Opoku ‘World Museum, Vienna, Re-Opens: Renovated Premises for Cultural  Objects of  others but no Solution for Restitution’...

https://www.modernghana.com/.../world-museum-vienna-re-ope..

 

5. K. Opoku,Humboldt Forum And Selective Amnesia: Research instead of Restitution of African Artefacts’...      

https://www.modernghana.com/.../humboldt-forum-and-selective...

 

 

6. Annex I, Answers to Parzinger’s Questions.

 

7. ‘Man soll nicht immer so tun, als wäre alles zusammengeklaut‘.

Aber zu sagen, es ist alles gestohlen, also zurück damit, ist zu einfach, zumal etliche Stücke auch schon vor der britischen Strafexpedition auf dem Markt erworben worden sind.‘

 

8. According to Christine Stelzig, at one meeting where art from Africa was

discussed at the Ethnologisches Museum. Berlin, and the Benin bronze were

shown, it was mentioned that only Berlin was in possession of a relief plaque

which, according to the information of the dealer in London, was already

in London since 1879 and that it was the only piece of this form that had reached

Europe before the destruction of Benin by the British. Felix von Luschan,

Director of the Ethnologisches Museum, was one of the first persons to recognize

that Benin bronzes came from Africa and not from some mythical place or

people outside the continent: He confirmed that not a single Benin bronze was in

Europe before the Punitive Expedition of 1897.

He, von Luschan did not know of a single plaque or a single head or other

bronze art work that was in a museum, or in the art market or in private

possession that came from Benin to Europe before 1897‘.

 

  Er, von Luschan, kenne ‘‘ weder aus einem Museum, noch aus dem Kunsthandel, noch in Privat-Besitz auch nur eine einzige Platte oder einen einzigen Kopf oder sonst ein aus Erz gegossenes Kunstwerk, das vor 1897 aus Benin nach Europa gelangt wäre.”

 

Christine Stelzig, Afrika am Museum für Völkerkunde zu Berlin 1873-1919,

Centaurus Verlag, Herbolzheim 2004, p. 368.

See also K. Opoku, Benin To Berlin Ethnologisches Museum: Are Benin Bronzes Made In ...

https://www.modernghana.com/.../benin-to-berlin-ethnologisches..

 

9. Nigeria demands unconditional return of looted artefacts: A season of .Miracles?..

https://www.pambazuka.org/.../nigeria-demands-unconditional-re...  

 

10. K. Opoku. How often does Nigeria have to ask for artefacts to be returned?

www.elginism.com/similar...often-dos-nigeria...ask-for.../1323/

 

When will Western museums return their looted artefacts? - Elginism

www.elginism.com/similar-cases/when...return...artefacts/.../1639/

 

Is the declaration on the importance of Universal Museums still valid?

www.elginism.com/similar-cases/is-the-declaration.../2764/

 

Return and restitution of cultural property; Museum; Vol.:XXXI, 1; 1979 unesdoc.unesco.org/images/0012/001273/127315eo.pdf

11. K. Opoku’ We Will Show You Looted Benin Bronzes But WillNotGiveThem Back:Second Defeat and Permanent Humiliation forBenin?’. https://www.modernghana.com/.../we-will-show-you-looted-beni...

European museums to 'loan' looted Benin bronzes ... - Pambazuka News

https://www.pambazuka.org/.../european-museums-‘loan’-looted-...

 

12‘ Ähnlich wie bei der NS-Raubkunst muss der ganze Weg rekonstruiert werden

Ähnlich wie bei der NS-Raubkunst wollen wir nicht nur auf

Rückgabeforderungen reagieren, sondern proaktiv forschen und dabei

internationale Zusammenarbeit stärken.

Provenienzforschung ist kompliziert und braucht ihre Zeit. Es gibt für mich

keinen Grund, sie auszuhebeln, wir tun das auch bei NS-Raubkunst nicht.‘

 

13. https://www.welt.de/kultur/kunst/article173179961/Raubkunst-Ronald-S-Lauders-Appell-an-Deutschland.html

 

14.  Looted Art has all the relevant information on the Washington Principles.

www.lootedart.com/

 

15.  K. Opoku, ‘Respect and Disrespect in Restitution of Cultural Artefacts’

https://www.toncremers.nl/kwame-opoku-respect-and-disrespect-i...

 

 

 

 

 

 ANNEX I

 

ANSWERS TO PARZINGERS QUESTIONS

 

The President of the Prussian Cultural Heritage Foundation raised questions as

to ‘‘… which museum will return which object and for which reason and to

which African museum? Who takes such a decision, the museums or the political

authorities?’’ We attempt here to provide answers with examples relating to the

Benin artefacts in the Ethnology Museum Berlin that are soon to be transferred

to the Humboldt Forum.

 

 

MUSEUM: Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

 

OBJECT:  Bust of queen-mother, iyoba Idia, Benin, Nigeria, now in Ethnologisches Museum / Humboldt Forum, Berlin, Germany

Inventory No.III C 12507

Bildergebnis für queen mother idia

 

GROUND: Looted in 1897 by British Invasion Army.

STATE: Through Nigeria to Oba of Benin, Benin City.

DECISION: According to Statutes of the Prussian Foundation.

Authority for decision is an internal matter for the Foundation and other concerned institutions.

 

Similar answers apply to the following objects:

Altar Group with Oba Ewuakpe, Benin, Nigeria, now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No. III C 8165

Bildergebnis für benin artefacts in berlin

 

 

 

 

 

 

Altar group with Oba Akenzua, Benin, Nigeria now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No. III C 8164

[93761_520231.jpg]

 

 

 

 

 

 

 

 

Commemorative head of an Oba, Benin, Nigeria, now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No. III C 8177

IMG_1468

 

 

 

Female figure, Benin, Nigeria, now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No.III C 10864

Bildergebnis für benin artefacts in berlin

 

Head of an Oba, Benin, Nigeria, now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No. III C 8169

Bildergebnis für KWAME OPOKU ON BENIN ART

 

 

Portuguese soldier, Benin, Nigeria, now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No. III C 20299

IMG_1457

 

 

 

Saltcellar, Benin, Nigeria, now in Ethnologisches Museum/Humboldt Forum, Berlin, Germany.

Inventory No. III C4890 A,B

 

Saltcellar, Benin, Nigeria, now in Bode Museum, Berlin, Germany, on its way to Humboldt Forum, Berlin, Germany.

 

 

 

ANNEX II

 

LIST OF GERMAN HOLDERS OF BENIN ARTEFACTS

 

 

Almost every German museum has its own collection of Benin artefacts but information on numbers of artefacts is not easy to obtain. Below is a non-exhaustive list of holders that we could identify, from catalogues, internet and publications of the museums. In view of the growing interest of the public in these artefacts, perhaps the museums could publish a full list of the Benin artefacts they have been in their possession. I understand that within the context of the so-called Benin Dialogue Group, lists of the Benin collections of members of the group have been exchanged but following the well-established attitude of the museums, they do not feel obliged to inform the public.

 

 

Berlin – Ethnologisches Museum/ Humboldt Forum -580.

Cologne – Rautenstrauch-Joest-Museum - 73.

Dresden – Staatliches Museum für Völkerkunde -182.

Frankfurt am Main - 51.

Hamburg – Museum für Völkerkunde - Museum für Kunst und Gewerbe -196.

Leipzig – Museum für Völkerkunde - 87.

Munich-  Museum Fünf Kontinente - 25.

Stuttgart – Linden Museum-Staatliches Museum für Völkerkunde - 80.

 

According to Kathy Curnow, the following German cities have each not more than 25 Benin artefacts -  Braunschweig, Bremen, Dusseldorf, Freiburg, Göttingen, Hannover, Heidelberg, Hildesheim, Mannheim, and Ulm.

Kathy Curnow, IYARE! Splendor & Tension in Benin’s Palace Theatre, 2016, p. 201,  WWW.IYARE.NET  Printed  in the USA by Amazon.com

 

 

 

 

 

ANNEX III

 

BENIN ARTEFACTS IN PRIVATE COLLECTIONS IN GERMANY.

 

 

In the discussions on the restitution of looted Benin artefacts, attention is generally focussed on the major public museums in Europe and USA that tend to have large collections of the precious treasures that are sorely missing in Benin City and Nigeria and indeed on the whole continent of Africa. The story that Benin artefacts are spread all over the world is, of course, a myth. The truth is that most of the Benin artefacts are in the Western world, especially, United Kingdom, Germany and in the United States.

 

It is very doubtful whether outside Nigeria, any African country has even one such Benin artefact.  Do Africans not need to know about the famous Benin bronzes, especially since the image of queen-Mother Idia has become a Pan-African symbol since FESTAC ‘77 when the British Museum arrogantly refused even to ‘loan’ the ivory hip-mask to Nigeria?

 

Mask of Queen-Mother Idia that was to be auctioned by Sotheby’s but withdrawn by the Galway family after protests by Africans.

Queen-mother Idia, Benin Nigeria, now in British Museum, London, Great Britain.

 

Many private persons or institutions in the Western world have their collections but have so far not been touched by the plea of Nigerians to return the looted artefacts. The only case of return by a private person is that of the Briton, Dr. Mark Walker, who returned to the Oba of Benin artefacts that he inherited from his grand-father. Man With Conscience Returned His Grandfather's Looted Benin Bronzes https://www.modernghana.com/.../man-with-conscience-returned..

 Other private persons and institutions do not seem to be moved at all by the plea to return some of the looted Benin artefacts.

 

Consideration must be given to how private persons and institutions could be persuaded to return Benin artefacts in their possession for, all Benin artefacts of good quality, whether in public or private possession, are part of the loot of 1897 when the British stole them from the palace of Oba Ovonramwen and burnt his city down.

 

The number of private holders of Benin artefacts in Germany is not known but one can get an idea of the quality of Benin and African arts in private hands in Germany by consulting books such as Dorina Hecht and Gunter Kawik (eds.) Afrika und die Kunst-Einblicke in Deutsche Privatsammlungen,2010, Kawik Verlag, Bottrop, Germany.